ABOUT

Composer for Nike (Europe), Puma, Honda (Europe), Matacoco (England), Audi, PSG (France), Centre national de la musique (France), Shox, Christian Louboutin, Chic Choc (Canada), Coalition against insurance fraud (USA)...

Sound Designer for Nike (Europe), Puma, Honda (Europe), Matacoco (England), Audi, PSG (France), Centre national de la musique (France), Shox, Christian Louboutin, Chic Choc (Canada), Coalition against insurance fraud (USA), Sneazzy (France), Bane (England), Lil Yachty (England)...

Producer, Sound engineer (Stereo, Dolby, and 360 audio) for more than 250 artists and bands from all over the world, Théatre antique Orange (France), The Royal Association for the deaf (England)...

Mission
Deliver within the deadlines the best music for your film.


Vision
I believe in communication, I always respond quickly with a smile, and I value feedback and suggestions.


Values
With a collaborative spirit and a solid work ethic.Passion for enhancing your film's emotional content.

What they say
” Working with Olivier on this project was a true pleasure: Olivier has an outstanding balance of being professional, timely with deadlines and always providing the best outcomes with whatever direction was needed for the task at hand. Most important of all Olivier is an extremely talented musician and producer and his work speaks for itself. I look forward to working with Olivier again and recommend him to anyone that is considering him for a potential project.”

Enrique Guersy
Director
“Olivier wrote a very original scoring, good detail to the subtle changes in the storyline, interesting orchestration and excellent execution. Nice highlighting of dramatic moments.”

Mychael Danna – Academy Award- winning film composer – George S. Clinton – Composer – Daniel Carlin – Chair of Scoring for Motion Pictures and Television at USC’s Thornton School of Music
”I had the chance to work with Olivier on the new Sound design and re-scoring my short movie. The task was not easy because I was used to the original score. Olivier quickly found the right composition to breathe new life into the movie. Olivier is listening to suggestions, he is professional and mindful and succeeds in enhancing projects way more than expected. He is absolutely dedicated to his work and his involvement goes beyond technical competencies. His listening skills, advice, passion and his adaptability makes him a major asset for a noticeable quality job. I can’t imagine working with someone else in my futur projects.”
etienne
Etienne Muller
Director
”In 2017 Olivier Teisseire received the award "Best Original Film Score" at Zed Fest film festival for Outstanding music for his score to Ousemane"
wendy and ed
Wendy Medrano and Ed Stephens
– ZedFest co founders
About Olivier
Olivier Teisseire grew up in France surrounded by musicians and was introduced to his mother’s piano at an early age before going on to sing and play snare drum in his childhood choir. At the Lacroix school in Narbonne he studied classical music composition and orchestration, graduating with jury congratulations.

After graduation he chose the guitar as his main instrument and has played and composed in various bands and for different artists. Numerous European tours and shows led to the development of diverse musical influences as well as allowing him to indulge his interest in cinema and film making (directing, photography, production sound mixing and boom operating).

Olivier T has created sound designs and original music for film, TV and commercials. His most recent credits include “Nike”, “Honda”, “Christian Louboutin”, “René Furterer” and “Matacoco”. In 2001 he built his own professional studio where he has produced more than 300 bands whilst continuing to travel, compose and produce music in renowned recording studios all over Europe and in the United States. During this time he has worked with many famous producers including; Jason Suecof, Tue Madsen, Mark Lewis and Ken Ploquin.

Not only does he offer many years experience as a performer, multi instrumentalist, composer and sound engineer but also an understanding of and passion for the cinematic process. It is this combination which has allowed him to truly communicate with directors when creating original soundtracks.

By A.Becket